1612-1680 Dutch Frans Post Gallery
was a Dutch painter. He was the first European artist to paint landscapes of the New World.
In 1636 he traveled to Dutch Brazil at the invitation of Johan Maurits van Nassau-Siegen, who was governor-general there, at the suggestion of his brother Pieter Post. In 1644, Post returned to Haarlem. Of his Brazilian landscapes, some depict actual locations, while others are probably imaginary. Post's art is usually classified as Baroque. Related Paintings of Frans Post :. | Landscape with river and forest | A Brazilian Landscape | Vila de Ipojuca | View of Pernambuco | Paisagem com casa alpendrade | Related Artists:
Johann Georg Ziesenis
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.
Thomas ClarkBritish-born Australian Painter, ca.1814-1883
Prince, Jean-Baptiste leFrench Painter, 1734-1781
was an important French etcher and painter. Le Prince first studied painting techniques in his native Metz. He then travelled to Paris around 1750 and became a leading student of the great painter, Francois Boucher (1703-1770). Le Prince's early paintings in both theme and style are comparable to his master's rococo techniques. In 1758 Le Prince journeyed to Russia to work for Catherine the Great at the Imperial Palace, St. Petersburg. He remained in Russia for five years and also travelled extensively throughout Finland, Lithuania and even Siberia. When Le Prince returned to Paris in December, 1763, he brought with him an extensive collection of drawings which he employed as the basis for a number of fine paintings and etchings. J. B. Le Prince was elected a full member of the Academie de peinture et de sculpture in 1765. Le Prince's graphic art of Russia and its peoples is significant in that he based his compositions entirely upon his own designs, lending a much more realistic portrayal to his views than other eighteenth century contemporaries. He is also credited with being the first artist (in 1768) to introduce aquatint into his etched and engraved plates. He may even have been the inventor of aquatint, the tonal graphic art that would later be so skillfully used by such masters as Goya,